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Pianist Solomon: Creative Revival

personalities : Pianist Solomon: Creative Revival
The pianist Solomon Kutner became famous at the age of 8 when he performed the first concert of Tchaikovsky

The pianist Solomon is known throughout the music world only by name. His surname was lost at the very beginning of the piano career of a young musician. When at the age of eight, the boy played Tchaikovsky's First Piano Concerto on the Queens Hall stage in London, he was already announced as Solomon. The prodigy concert, accompanied by the Henry Wood Orchestra, was a resounding success. The little musician, for whose performance the instrument was specially redone (Solomon did not reach the pedals with his feet), from the first chords fell in love with London listeners.

The content of the article

  • Child prodigy
    • New forces
  • At the zenith of fame
    • Misfortune
    • Rebirth

Child prodigy

A year later, Solomon played for the king and his close associates in one of the halls of Buckingham Palace. Soon a little geek was talked about in other European countries, and the child went on a large-scale tour. He gave solo concerts in many European countries, performed with the best world orchestras.

Solomon's piano teacher was Matilda Vern, who founded her own school. As a student of Clara Schumann, Verne was a really good musician and teacher. However, she exploited the talent of young Solomon mercilessly. A gifted student was not only a source of income for the teacher, but also an advertisement for her music school.

Solomon grew, his popularity grew, and the complexity of his works increased. But along with this, the boy’s hatred of the instrument increased. By adolescence, Solomon was ready to quit playing the piano. His concert activity temporarily ceased.

New forces

A break in music lessons allowed Solomon to restore peace of mind. He entered the Paris Conservatory, in the class of the famous Lazar Levy, a student of Leshetitsky. Finally, Solomon got the opportunity to improve his technique without being distracted by concerts and tours. Slowly, thoughtfully, painstakingly, Solomon worked on music, looking for new approaches to it, new opportunities in himself.

After graduating from the conservatory, the young man again returned to his native London. It took him several years to restore his musical career. He was well known in the UK and in other European countries. Soon, Solomon visited the United States of America, where he was very warmly received by the local public.

At the zenith of fame

The prodigy Solomon eventually turned into a real, deep and subtle musician.

Solomon gained fame as a virtuoso musician with an extensive repertoire. His concert program contained works of all countries and eras. Classicism, romanticism, impressionism, modern innovative music - all this was beyond the power of Solomon's magical hands, all this not only found a technical embodiment, but also gave rise to a deep response in the soul of the musician.

The Second World War became a period of active touring for Solomon. He performed in various cities of Great Britain, gave concerts in military units, visited the places of stay of the army.

Every year, the popularity of Solomon throughout the world became more and more. He was at the very top of fame, each of his concerts ended with prolonged applause. But the pianist never tried to surprise the audience with meaningless virtuosity. His performance was always deep and free, musical and expressive, everything that he played sounded so natural that it was simply impossible to imagine another interpretation.


After the war, Solomon began to actively record records. And in the fifties, he took up a large and difficult project: a record of all Beethoven's sonatas. However, after half of the work was done, trouble began. The pianist began to have health problems, for unknown reasons, malfunctions appeared in the work of the fingers. Solomon's filigree musical technique staggered. And in 1956 he suffered an extensive stroke. The paralyzed Solomon never played in public again.

Very quickly, students forgot their recent idol. The love of the public passed to the new young artists.


Solomon left a huge creative legacy recorded just one decade after the war

A new round of popularity began in the seventies. Then, on the anniversary of Solomon, a record of his old records was released. The musical world of Great Britain remembered a talented musician. From the archives they lifted his old works, which turned out to be surprisingly many. During the time that no one remembered the musician, his recordings were not only not out of date, they retained their emotional relevance, performing freshness and novelty.

The work of Solomon was overrated. On his unfinished Beethoven cycle, print publications stated the following:

This is Beethoven, presented to us with directness, strength and originality, but without eccentricity and pedantry. Someone, maybe, of fasting also doubts the concept of Solomon, but I find them convincing ... His fast parts are very mobile, and in slow ones he shows enough calmness that never turns into static. As a result, his interpretation of Beethoven reaches a rare balance between classical restraint and passionate tension.

Solomon's recordings came out with such frequency, as if the musician did not stop his activity at all. Finally, his work was appreciated. The sound of the piano under the hands of Solomon can be called pure music, it is so free from momentary, superficial, fake.

In the annotation to one of Solomon's records there are such words:

Solomon’s recordings are now especially valuable: in any case, they clearly speak for themselves, not only with the beauty of sound and impeccable technique (outwardly requiring no effort), but also with their spirit, their musical honesty. And, above all, they show magical power that is rarely encountered in such a high degree - the ability to combine all the elements of a work into a single whole and achieve high artistic results. And this is a hallmark of truly great interpreters.

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